viernes, 29 de julio de 2022

MUSIC - SERIES COMPOSERS - WILHELM RICHARD WAGNER ( 1813 - 1883 ) - 1 / 7

 MUSIC -  SERIES COMPOSERS -  


WILHELM RICHARD WAGNER ( 1813 - 1883 )  - 1 / 7


When listening to Wilhelm Richard Wagner, one may start to feel an enriched mixture of personal feelings such as romanticism, mysticism, philosophical encounters, opera and theater plays, etc.  Such magnificent experiences of musical inspiration were a unique search for a truth beyond the hard daily matters as he passed through difficult times, during endless days and nights, dealing with countless challenges. 

Nonetheless, he managed to walk into marvelous spaces of creations where anyone can perceive a wonderful spirit overcoming all odds and leaving a unique collection of musical melodies and harmonies which lead us today to unforeseen scenarios of a realm, lifting us to higher spheres of vibrations in life.

Thank you, Maestro Wilhelm Richard Wagner .

ALMO 

      



from Wikipedia, the free encyclopedia

Wilhelm Richard Wagner (/ˈvɑːɡnər/ VAHG-nər;[1][2] German: [ˈʁɪçaʁt ˈvaːɡnɐ] (listen); 22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the librettoand the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).

His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music.

Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg).

Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment – particularly, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre.


Richard Wagner: Tristan and Isolde – Prelude and Liebestod | with Daniel Barenboim & Waltraud Meier



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